Carpenter is more restrained than usual here she doesn't attempt to become an extension of the orchestral and choral grandeur, but instead offers a subtle, deliberately understated delivery that allows lyrics and music to become part and parcel of an unfolding story. They are seldom overtly ornate and they never overpower her singing. ![]() Mendoza's charts treat that voice with respect and dignity. Her singing voice has never been particularly powerful, but her crystalline contralto has always gotten her lyrics across convincingly and honestly. Carpenter executes these songs with the requisite taste she has exhibited throughout her career. She recorded the set at AIR studios in London. Songs from the Movie finds her revisiting her own catalog with Grammy-winning arranger Vince Mendoza, a 63-piece orchestra, a 15-voice choir, and some prime session players. She was inducted into the Songwriters Hall of Fame in 2012. Most are footnotes now, but Carpenter has remained vital, productive, and has a track record of consistency most artists would - or at least should - envy. She was part of an anti-establishment group of writers and performers who came from the East Coast acoustic music scene and hit Nashville in the late 1980s. ![]() ![]() ![]() Though singer/songwriter Mary Chapin Carpenter was initially considered a country performer, she was never easily boxed in her interests and songs ran from folk to rock to pop, and she never reined them in.
0 Comments
Leave a Reply. |